Barbara Hammer Filmes

Deconstructs the representation of AIDS in the popular media where distortion and misrepresentation amount to a "snow job" promoting increased...

Barbara Hammer's first and only multi-channel video installation, that tackles deeply personal subjects of her life.

1968/69, transferred S8 mm film, 4:3, color, silent, 5:19 min, Edition of 7 + 2AP

A tape by Barbara Hammer.

The Peruvian Galapagos Islands feature in Hammer’s film Endangered, where Blue-footed Boobies, seals and iguanas are equated with the filmmaker...

Early Barbara Hammer film shot on Super 8mm in color and silent.

An investigation into what subway passengers are reading.

Film by Barbara Hammer.

"A 70-year-old lesbian feminist, seeing little change in the society after years of work, sends out her 40-year-old self on a journey taking her...

We, as human beings on a small globe, united by evolutionary structure and biological DNA have a chance to come together through the experience of...

Lesbian Whale animates early notebooks drawings made by Barbara Hammer between 1969 and 1971, with a voiceover commentary by friends and peers. The...

Generations is a 30 minute 16mm film about mentoring and passing on the tradition of personal experimental filmmaking. Barbara Hammer, 70 years old,...

Regarding this film and Cleansed: "These are two of the first films Hammer ever made and two of the last films she made while married to a man. Never...

Queer Genius is a cinematic exploration of four visionary queer artists breaking down barriers in their creative fields as they confront fame,...

A whirlwind tour of paternal institutions: fatherhood, Lacanian psychoanalysis and bondage.

A lesbian/feminist aesthetic proposing the connection between touch and sight to be the basis for a new cinema. The film explores the tactile child...

"Rapid montage shows a plethora of objects all arranged in, or with reference to, the central prop of a dollhouse. We see whimsical references to...

From the platonic cave to post-punk, the tape traces the invisible and visible references to women who love women from prehistory to contemporary...

"Behind my desire to 'activate' the audience is a distaste for sutured, hegemonic cinema. By this, I mean a cinema dominated by both narrative and...

Combining perhaps the only footage from the first Women’s International Day march in San Francisco and rare footage of the second National...